With the support of Knowledge and Freedom Foundation (FOKAL),
the Association Caracoli proposes a series of activities on the music of rara
in partnership with the History Masters program, Memory and Heritage of the
Institute of African Studies and Research Haiti (IERAH-ISERSS) of the State
University of Haiti (UEH) aimed at put music rara at the heart of Haitian
cultural events.
The "Men rara· project brings together various stakeholders of Haitian cultural world to deepen formal knowledge of the music of rara, participating in its diffusion and produce a current musical work.
Friday, December 5, a one-day seminar brought together diverse human resources around the question of rara music, in its formal aspect. Twenty people, academics, experts, artists, tradition bearers, meet to identify key features of the music of rara under the rhythmic, melodic and harmonic aspects, historical contributions that are constitutive to them, the organological specificities, regional variations as well as the research paths to follow.
This is the first time that UEH pay particular attention to the music of rara, considered not only as an object of entertainment, but also as an object of study.
The day was hosted by Ronald Joseph Dautruche, professor at the UEH, Doctor of Ethnology and heritage, which has produced several publications on the rara.
The "Men rara· project brings together various stakeholders of Haitian cultural world to deepen formal knowledge of the music of rara, participating in its diffusion and produce a current musical work.
Friday, December 5, a one-day seminar brought together diverse human resources around the question of rara music, in its formal aspect. Twenty people, academics, experts, artists, tradition bearers, meet to identify key features of the music of rara under the rhythmic, melodic and harmonic aspects, historical contributions that are constitutive to them, the organological specificities, regional variations as well as the research paths to follow.
This is the first time that UEH pay particular attention to the music of rara, considered not only as an object of entertainment, but also as an object of study.
The day was hosted by Ronald Joseph Dautruche, professor at the UEH, Doctor of Ethnology and heritage, which has produced several publications on the rara.
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